John A. Roebling's Sons Company Upper Works

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Ghosts of the Wire Industry: Inside Trenton's Roebling Complex The first fence I found, I didn't jump. I had parked at the edge of the old industrial park and started walking the block, looking for a seam. That's the work. You circle the property, you read the edges, you find the spot where the chain link has been peeled back, or the post has gone loose. I found one almost immediately, a low fence, nothing to it. Then I noticed the man across the street watching me. So I kept moving, hands in my pockets, just a guy who'd taken a wrong turn. A few doors down, a commotion. Two people arguing in the middle of the street, loud enough that I slowed without meaning to. It ended the way those things usually end, with nothing settled. The man stepped back onto the sidewalk and then disappeared into the side of the building. Not through a door. Through a gap in the fence I couldn't see from where I stood. That told me two things. There was another way in. And I wasn...
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Musa Acuminata (Banana Leaf)





Added a new lens to the camera bag recently and so far it's been a learning curve in how best to capture unique perspectives in a world of billions of images. It's been a trying experience so far in the field wielding the Canon 100mm macro lens. It definitely takes a different approach than my Sigma wide-angle lens. The results haven't been extraordinary but I wanted to try something new from another perspective. I have been shooting the same subject matter for quite some time and wanted to try something new and different. I've always been curious and quite envious of the work of various macro photographers in some of the photography blogs I read. Although some of those macro photos take quite an elaborate setup to achieve stunning results.

So far I have a lot to learn and small subjects to "model".


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